Everything's Coming Up Roses presents a lively bouquet in soft blues, oranges and whites set against a muted purple backdrop. Bold black outlines and expressive brushwork lend crisp contrast and dynamic energy, while textured vases and pots create layered depth and interest. This abstract, colorful still-life brings a cheerful, modern note to a living room, entryway, or office—a nice addition to your space.

36 × 24, Acrylic on Stretched Canvas

Lemons and Jade Triptych began as a conversation between color and memory.

The lemons arrived first — bright, generous, and full of light — spilling across the panels like a small harvest brought indoors. Around them, the blue vase, teapot, and little potted plant settled into place like familiar companions at a table that has seen many slow mornings. Nothing in the scene feels rushed. The striped cloth, the weathered background, and the loose, expressive brushwork all suggest a space where time moves gently and ordinary things are allowed to matter.

The triptych format gives the painting its own rhythm. Each panel holds a part of the story, but the image only feels complete when your eye moves across all three together. That movement becomes part of the meaning: abundance doesn’t sit still — it spills, stretches, and connects. The lemons echo that feeling of growth and renewal, while the jade-blue vessels ground the composition with a sense of calm and familiarity.

At its heart, this is a painting about simple pleasures — a bowl of fruit, a favorite teapot, a sunlit corner, the quiet satisfaction of things gathered and well loved. It invites the viewer to pause, breathe, and notice how much beauty can live inside an everyday arrangement.

This painting presents a striking bouquet of sunflowers and violets arranged in contrasting blue and green vessels, set against a softly textured backdrop. The composition balances vivid yellows and purples with muted tones, creating a subtle tension between warmth and coolness. Its gentle complexity makes it an appealing piece to enhance any living or work space.

A relaxed still life that presents soft pink blooms arranged in green vases. Loose, assured brushwork and dark contour lines give each petal and bottle a clear, graphic presence, while a muted purple background adds quiet depth. The gentle color contrasts and textured surface convey a fresh, grounded feel that brightens a room without demanding attention.

Perfect for a kitchen shelf, entryway, or bedside wall — a calm, charming addition to your space.

The arrangement did not want to be controlled. It wanted to grow, spill, and shift. So I let the painting follow that energy — layering, lifting, and returning until the whole surface felt alive. What began as a still life became a record of change: of noticing, revising, and trusting the moment when a painting tells you it has found its own voice.

There is something tender in that surrender. Something hopeful, too. The flowers stand together in their glass and clay vessels as if holding a quiet conversation about beauty, time, and the pleasure of simply being seen.

In the end, this painting is less about perfection than presence — a reminder that the most memorable things often arrive softly, in color, texture, and light.

Unless you're a keen horticulturalist, the title of this piece, "Bada Bing, Bada Boom," might seem like just a playful idiom from pop culture. However, the story behind the name is rooted in the very subjects on the canvas.

As I neared completion, the lush blossoms began to strongly resemble gardenias. I was committed to naming every piece in this still life series with a common idiom, so I started researching gardenia-related phrases. The most delightful discovery was that the perfect names were right there in the garden catalog: there are two distinct, popular varieties of gardenia that share the exact names of this painting's title—the 'Bada Bing' and the 'Bada Boom' gardenias. It was the perfect, serendipitous convergence of language, art, and nature.

This 16x20 acrylic painting captures an abstracted still life that blends bold colors with expressive, almost sculptural, brushwork. The painting features stylized light blue birds perched alongside a vase of pink and white flowers and a cluster of red fruit. The slender green and striking turquoise blue vessels anchor the composition, their forms defined more by spontaneous line work than strict realism. The foreground, with the birds and red fruit, creates a whimsical, grounded contrast to the airy flowers above, all rendered with a dynamic energy that transforms a classic subject into a playful statement about simple beauty.

I lost my mom more than a decade ago, and I like to keep her memory alive by doing a painting in her honor every year. She loved blue and green together, so you’ll typically see those colors featured. I particularly like this years effort, it certainly has a Van Gogh influence!

Acrylic on textured, 24 X 24 stretched canvas. Inquire about framing!